These prints were born out of experimentation with small plates, making compositions that resemble altars, with the Ay Mami plate as central subject. They have to do with ideas, feelings, emotions, reflections and experiences of what female sexuality means/feels to be, what it can or could be, what I imagine and dream it to be, from my particular subjective perspective. Also driven by an impulse to create something that visualises (or makes visible, more visible, visible again), honours and celebrates the sexual, erotic and reproductive capacity, power and potencial of women which is underlooked, undervalued, repressed and oppressed.